An aggregate resource for all those riding in the 9th seat
Coxing Racing Video of the Week
If you’re new to the Schuylkill, check out this video that goes through the course and points out all the relevant landmarks and points along the race.
Related: Navigating the Schuylkill River (Philadelphia, PA)
Also check out the post linked above that I did last year that gives some additional insight into the river, bridges, etc.
Previously: Getting to the starting line || Steering through the bridges || Landmarks along the course || Steering around the turns || Race plans || My general race plan || Yaz Farooq’s coxswain clinic || Race plan “hacks” || The course in meters
You can’t talk about Weeks without talking about the Powerhouse Stretch or Lowell House because how you’re positioned relative to both will have a pretty big impact on how efficient your turn through the bridge is.
Related: HOCR: Steering around the turns
If you’re unfamiliar with Harvard’s campus, Lowell House is an undergrad dorm that is frequently used as an HOCR landmark due it’s tall steeple and bright blue dome that stands out above the tree line along the Cambridge shore. When someone says “point at the blue dome”, this is what they’re talking about. In the picture below they are just to the right of center.
As you come up the Powerhouse Stretch, ideally you’ll be coming through the center arches of the River St. and Western Ave. bridges. You can use the Cambridge arches (the ones on the far right) but the center arches are “standard procedure”. Going through the Powerhouse your point is going to be on the center of the center arches (again, ideally) but as you come out of Western the next big landmark you should be aiming for is Lowell. (There is a “mini”-landmark that you can check yourself on immediately out of the bridge and that’s your position relative to the buoy line – you want to be pointed at the outermost buoy as it begins to turn around Weeks. This should take half a second to spot-check before you shift your focus to Lowell.) If you’re in a good spot then you won’t really need to adjust your point much but if you come out pointing at something else (the bridge, the Cambridge shore, etc.) you’ll have to do a little steering to set yourself up for Weeks.
As you get closer to the bridge you’ll start to see the dome disappear behind the horizon. This is normal and is supposed to happen. Too many coxswains freak out because they lose sight of Lowell, which I don’t really get because … what else did you think was going to happen? As it goes behind the trees, your focus should shift to “the turning tree”. If you go to Yaz’s clinic then you’ll probably hear her talk about this.
Related: Yaz Farooq’s HOCR Clinic
The turning tree is in the photo up above (in the center of the picture on the very far right hand side), although because the leaves haven’t changed yet it still blends in with the shoreline. Usually by HOCR it’s the only tree along that whole stretch of shore that has changed colors (usually to a bright yellow) so it’s pretty easily identifiable. It’s not hard to pick out regardless of what color it is though just because it sticks out over the water a bit, as you can see in the picture.
As you’re rowing towards Lowell you want to stay straight until you get even with the tree and then begin your turn to port to go through Weeks. Some coxswains go when their bow is even with the tree, some go when they are even the tree. I’ve personally found my turns to be more effective when I wait until I’m even with the tree but I think a large part of that has to do with how well your boat responds to the rudder. The start of the turn is pretty easy (AKA it should all be done on the rudder) so you shouldn’t be using pressure from the rowers quite yet but if you wait too long to turn (like until you’re past the tree) then you’ll need to use a lot more pressure from your starboard side to get you through cleanly.
Below is some video I took during practice last week of our two coxswains going around the turn during our most recent “5k Friday” piece. Both did a pretty good job steering through here so this should give you a good idea of how the turn should look.
College Coxing High School Racing
This is a good example of a coxswain who is talking a lot and not really saying anything. His intensity is good but it’s empty, if that makes sense. It’s like he’s being loud just to be loud. Something that really annoyed me was at 7:44 when he yelled “eyes in the boat, you keep those eyes in the boat and you focus!”. I didn’t like the way he said it because a) after listening to almost eight minutes of the recording, I understand why the rower(s) might have been looking out of the boat and b) it sounded like he was scolding a dog or something. Something else that bothers me is that there’s a lot of “you” and “your” happening, like “you need to do this for your team”, etc. When coxswains do that it makes me think they take their roles way too seriously, like they aren’t responsible for moving the boat too.
The first half of this video is from the stern-cam and the second half is from the coxswain’s GoPro. She did a good job of staying calm and focused coming through Weeks, particularly since the crew in front of them was this close to their bow. Her line on Anderson was way too wide (I think that was because they got stuck on the outside of Weeks) but she definitely still could have made that turn through the bridge if she’d started it a stroke or two sooner and had the starboards power down while the port side brought it around. This reiterates though that you’ve always gotta be thinking one bridge ahead when you’re on the Charles because a messy turn through Weeks almost certainly means a messy turn through Anderson.
You can find and listen to more recordings by checking out the “Coxswain Recordings” page.
College Coxing High School Racing
A high school coxswain emailed me this recording a couple weeks ago so below is the email I sent her with some feedback. In her initial email she also included her own comments on what she thought of her coxing (PS I love when you guys do that because it helps me narrow in on what you think you need to work on), which included things like “my coxing started very calm but in the middle it was similar to how I would have coxed a sprint race”, “I never mentioned the time and pointed out only some of the landmarks I should have”, “I have lots and lots of calls about the legs”, “Some of the focus 10s were not for anything in particular and were just moves”, “10 in 2 would be more effective than 10 here in some (most) cases”, etc.
Here’s what I said:
“I agree that your intensity level did rise throughout the piece but I think that’s fairly natural. I do the same thing when I’m coxing long pieces like this, as do other coxswains that I know. I think as long as you’re not super obnoxious about the changes in your tone or volume it’s not a big deal. I thought this was fine though.
I like the “reel ’em in” call too. It’s a good way to say “get after these guys” without actually saying that. Regarding the “10 in 2 vs. 10 here”, I agree that it’s more effective, especially in long pieces like this where it’s easier for them to zone out, to give them a bit of a warning and either say “on this one”, “in two”, or whatever so that at the very least they’ve got one stroke or so to get ready to execute whatever you’re calling for.
If you notice the intensity starting to fall off, at the very least make sure they’re still rowing well. Focus purely on their technique for 20-30 strokes if you have to but make sure that even if the pressure is falling a bit that they’re still rowing at a high level. Sometimes I notice that when I back off the typical power calls and just focus on technique, the power gradually starts to come up a bit on its own … not necessarily to where it was before but enough that I notice it and can then say “Yea, there we go! You see how we’re starting to push those puddles away again? That’s just from adjusting our posture and making sure our body prep is set early. Let’s take five now to really emphasize the swing and get the shoulders set. Ready … go!”
I like doing 5s for each pair or 5s for each four during longer pieces like this. It’s something different and gives you a chance to focus on the individuals a little more than you otherwise would. Plus it gives them a little bit of personal responsibility for those five strokes. You executed this very though so good job. I liked your tone, the calls you made, etc. I’d do it exactly like that during a race if you decide to incorporate that as a move of some kind.
I also noticed that you made a lot of leg calls but I think as long as you’re diversifying them and not making the same leg call over and over then it’s OK. One thing I would practice the next time you’re out though is making calls for other parts of the stroke. To kinda force yourself into doing this, I would try something like this: for one entire practice, anytime you want to make a call for the legs, pause for a second and come up with a call for something else. The calls could be for puddles, sharp catches, smooth finishes, posture, body prep, long recoveries, bending the oars, blade height, getting max reach, etc. The goal is to not make ANY calls for the legs and instead make calls for everything else. The legs are a really easy thing to make calls for and are what a lot of coxswains default to (myself included) so every so often you’ve gotta take yourself out of that comfort zone and force yourself to do something different so that on race day you’ve got a wealth of calls built up that you can pull from. You actually already do a great job of calling for a variety of things so just consider this as a new challenge to continue building your skills in that area…
When you call for focus 10s, I would instead call for focus 5s. 10 strokes is too long to “focus”, especially during hard pieces like this, and 5 usually ends up being more effective anyways.
You do a great job of consistently giving the rowers information (and you already know what you need to give them more of – i.e. time, landmarks, etc.) and your overall tone is fantastic. Like I said earlier, don’t worry too much if there’s a gradual shift in intensity as the piece progresses. Something else that I really appreciate as a fellow coxswain is your self-awareness. I like that you listed out your own comments on your audio because that shows that you’re actually invested in what you’re doing and are keeping yourself accountable. Another thing I liked was how you clearly and concisely yelled at the other coxswains to tell them where you were as you got close to them. That’ll come in verrrrrrry handy if you’re racing at HOCR.”
Jake, the coxswain of Delaware’s heavyweight 8+, sent me this recording after Dad Vails and it really blew me away. Easily one of the best recordings I heard all season – actually, I think this is the best I heard all season. Here’s what I said in my email to him with a few additional bullet points below that.
“This is really good – your intensity, tone, calls, etc. are on point. I feel like I’m nitpicking just trying to find stuff to critique. The one piece of advice I have is when you make a call like “walk away, walk away”, “it’s time to go”, “time to break off UNC” (great call btw), etc., immediately follow that up with a 5 or 10-stroke push just to carry over the momentum from your call. When I make a call like that I want the rowers to immediately think “yea, let’s go!” and since I know they tend to get a burst of energy from that I want to capitalize on it by immediately following up with a 5 or 10-stroke move to do whatever I just said to do, be that to walk away from the field, put away another crew, etc. If you say “it’s time to go” and then there’s crickets after that then it’s like “OK … I’m ready to go … tell me what to do …” and you kinda lose the opportunity to make something happen. You also run the risk of another coxswain hearing you say “walk away!” and them thinking you’re calling a 10 so they call their own 10 to counter the move they think you’re making. That can backfire on you if they end up getting a seat or two out of it. (The only reason why I say that is because I’ve done this to other coxswains before and if you’re down a seat or two and do it at just the right point in the race you can pretty much kill their momentum and take the race from them.)”
In addition to everything I said up above, I really like the simple “assault” calls he makes throughout the race. This is something I think a lot of younger coxswains have to learn/remember – every call you make doesn’t need to be a full sentence long and every call doesn’t have to be “a call”. More often times than not you can easily get away with saying something simple like “assault” and that will convey the same exact message as “OK guys, this is where we get after it and start taking back some seats”.
Another thing I really liked was the build up into the sprint starting with the “10 at base” at 4:55. I like how he calls the first five of that ten, says “assault”, then starts the next five with “next five, bow ball”. THAT is what I mean when I say to simplify your calls and cut out all the excess. You know exactly what he wants and how many strokes you have to do it and it only took four words to communicate that. Now, what I really liked about the sprint was how he transitioned into it. At 5:12 he says “shifting up to a 38 over two … shift one, shift two …” and then they hit it. I like the simplicity. If you’re trying to figure out how to get your crew to shift up at the end without doing a big build or anything (or alternatively, you’re only going up two beats and don’t need five to build into it) then I’d definitely suggest trying the shift over two and seeing how that works. (PS If you haven’t read this post on “in” vs. “over” vs. “on” check it out so you understand the difference between all three and make sure you explain it to your crew too. In, on, and over do not mean the same things!!)
You can find and listen to more recordings by checking out the “Coxswain Recordings” page.
Coxing How To Q&A Racing Technique
Hi! Love your blog! I was just wondering if you have any tips as far as steering a buoyed course and what to do during the first strokes of the race if for some reason the rowers’ powers are uneven and the boat gets lodged towards one direction. Thank you!
Short answer: For steering buoyed courses, check out the post linked below, particularly the part on vanishing points. If one side pulls you over at the start then you don’t really have any option but to fix it so make whatever small adjustments you need to make to get you back on course and tell each side to keep it even. During a sprint race you obviously don’t want to tell anyone to back off so you should avoid resorting to that unless the pressure difference is so egregious that that’s your only option to keep the boat pointed straight.
Long answer: You know those “if this then that” flowcharts? That’s pretty much what the rest of this post is. Hopefully it’s not too difficult to follow but let me know if it is and I’ll try to draw it out to make it easier to visualize/understand. (I almost had to do that anyways just so I could keep track of my thought process.) Something to take away from the “big picture” of this post is that when something’s not right, it’s usually the result of something else not being right and to figure out what that is you have to work backwards through what you know and are feeling and seeing in order to put all the pieces together. This requires a lot of thought but if you can work through all that and figure out what the problem is, it’s pretty satisfying.
The first thing to do would be to make sure everyone’s rowing the same pressure at the start. Obviously this isn’t something you can really do on race day though (other than give them a reminder before the race) so it’s important to pay attention to that when you do starts at home during practice. If you notice one side out-pulling the other, even if it’s only the tiniest amount, speak up and say “hey ports, starboards had a little more power off the start on that one so on this one let’s try to match them so we aren’t getting pulled off course”. I have no qualms whatsoever with telling them to not interfere with my ability to steer because if they expect me to give them a fast course then I expect them to not make that tougher than it already is/can be. Few things irritate me more than someone else being responsible for me steering a bad course. If it’s just me steering poorly that’s easy to fix because all it requires is me telling myself to do something different but if I know I’m not oversteering and the reason we’re off course is because four or eight people can’t all row full-pressure at the same time, that’s frustrating because it’ll still end up being my fault and now I have to play puppeteer to get everyone to do what I need. Most of you will probably know what I mean by that and for those that do you know that is NOT fun and NOT easy.
If the amount one side is out-pulling the other is small then I’ll just tell the other side (ports, in that example) to increase their pressure but if they were out-pulled by a lot then I’ll tell the stronger side (in this case, starboards) to back off on the next one. This serves two purposes. One, it lets me steer straight and two, it helps me figure out why we went off-course in the first place. Was it just adrenaline from the starboards, is the lineup stacked on that side, or were the ports being lazy on the last one? To figure out which one it was I’ll ask them how it felt (I’ll usually ask my stroke as soon as we finish and then the boat once we stop rowing or my stroke and I finish talking). If they say “good”, “fine”, “better”, etc. then I’ll leave it at that and talk about it with my coach later. (If we do more starts after that one then I’ll just remind them to remember how the last one felt and try to replicate that.) If the starboards say they felt like they were rowing at three-quarter pressure but the ports say they were at full then that usually means there’s some kind of imbalance, in which case, again, I’ll bring it up to the coach (although instead of doing it after practice I’ll do it on the water so he can address it immediately).
This usually necessitates doing another start so on this one I’ll watch the puddles of both sides, particularly those of my bow pair since they tend to have a bigger impact on where the boat goes – hence why we use them to get our points and not our stern pair. (For those keeping count, watching the puddles would be the fourth thing you’re doing simultaneously at the start … any ideas on what the other three are?). If the starboard puddles are deep and dark then I know they’re probably at or close to full pressure. If the port puddles look shallow or the strokes look short then I know they likely aren’t taking effective, and by extension, full pressure strokes (which begs another question – is it because they’re washing out, rowing it in, not burying their blade deep enough, etc.), even though the rowers might think they are because of how hard they’re getting their legs down. If that’s the case then I just tell the ports to get their blades in, keep the blades buried, etc. (This is usually when someone on that side says “I am/we are”, in which case I get to lean out and say “really, because I’m literally watching your blade every single stroke and you’re not doing either of those things”, which then leads to them getting pissed off for one reason or another that I most likely don’t care about. That’s another thing I’m pretty adamant about – if I’m specifically watching the bladework and I tell you you’re doing something (or not doing it, in this case), don’t argue with me because there is a pretty solid chance you will lose that battle. It has nothing to do with me (or your coxswain) being cocky or thinking we’re better than you or whatever other ridiculous excuse you can come up with – it’s LITERALLY OUR JOBS to know/understand this stuff and point it out to you. It can be a very “damned if you do, damned if you don’t” situation but at least by saying something no one can say you didn’t try to fix the problem. )
Anyways, if you determine that one side’s taking more effective strokes than the other, that’s a relatively easy fix because all you have to do is figure out what technical thing they need to fix and then … do it. If by watching the puddles you only notice one or two outliers (i.e one really strong one or one really weak one) then again, that’s also an easy fix … just tell them to either ramp it up a notch or stop being that person that pulls me off point every. single. time. by thinking that “go hard off the line” means that you abandon all common sense and forget that “go hard off the line” doesn’t work if seven people are rowing at 100% and you’re rowing at 150%. There’s a good chance that most of the coxswains reading this (particularly if you cox guys) are thinking of someone specific right now because we’ve all had that person in our boats at one point or another . (And rowers, if you are that person … please stop. Seriously. Stop.) In the majority of cases you’ll find that this is what solves the problem though. It’s very rarely ever an entire side out-pulling or getting out-pulled by the other – sometimes it is but that usually happens when you’re trying out new lineups, which is why it’s important to communicate with your coach and let them know that one side seems to be stronger than other based on XYZ that you noticed during practice.
So … the bottom line is that if you’re veering off course during your first few strokes you can’t freak out about it as it’s happening, just make an adjustment and fix it. Before and after the race though when you’re practicing at home you should pay attention when you do starts so you can address the issue if/when it comes up and figure out what’s causing it, that way in the future you can avoid losing valuable seconds during your starting 5 + high strokes by having to consistently readjust your point.
College Coxing High School Racing Recordings Rowing
I haven’t posted any of our recordings on here (they’re all on YouTube if you wanna listen to them) but I wanted to post this one because I think it was our varsity coxswain’s best recording of the season and I’m really damn proud of that for more reasons that I can count. I wish I could remember everything I pointed out to him when we initially watched this after the race but that was a month ago so below is a recap of what I assume I told him.
The whole starting sequence – start, high 20, transition to base – was really well executed. He started off the year/season drawing his calls out to really annoying and unnecessary lengths so to finish the season really crisp like this is a huge improvement. I also really like how we started doing the shifts down to base. I honestly don’t remember if this is something we talked about or if he just started doing it on his own but adding in that second shift really helped clean up that transition and make it a lot smoother.
It still annoys me (in the most minor of ways) that he calls a “ten to establish (the rhythm)” right after the start but if you’re going to take a ten for something at that spot, calling it for rhythm isn’t the worst thing to choose. (As long as it’s not for power – you have no idea how much this makes me rage.) One of the things we/I really harped on this season was not relying on 5s and 10s to get across whatever you wanted them to do. Instead of calling numerous 5s for catches, finishes, legs, etc. just make the call for a few strokes and then move on. You don’t need to take a burst just to get them to do something. My point there is that instead of calling a 10 to establish the rhythm I would have just gone straight into “legs long, legs loose” for a couple of strokes because just counting out the strokes doesn’t establish the rhythm, you’ve gotta actually back it up with legit calls.
Prepping the crew for an oncoming wind gust is always smart so I like that he saw the gust coming at 1:16 and said “wind gust on this one”. This is probably the best footage I’ll be able to get from a coxswain’s POV of what the wind looks like so if you’re still trying to figure out how to read the wind, look at the ripples in the water immediately before, during, and after he makes that call. The wind had been picking up throughout the reps (there were three total) but it stayed pretty much a cross-head the entire time. You can tell it’s a headwind because the boat is going into it (vs. a tailwind where you’re going with it) and the diagonal pattern of the ripples indicates that it’s a slight crosswind, meaning that the wind is going perpendicular-ish to the course instead of straight with the lanes (in which case it’d just be a direct head or tailwind).
A couple strokes later you can hear BU’s coxswain say “I’ve got bow ball”, which could easily have been disastrous for us (and if it was earlier in the season it probably would have been). I like how he handled it though. He’ll probably say that he didn’t hear her or wasn’t paying attention, thus what I’m about to say is totally irrelevant but I like that he just said where they were on BU, that they were walking, and to stay relaxed and poised. From there he makes the call to get the boat set (the crosswind wasn’t helping us there) and they immediately took a seat back on BU. The calmness in his voice throughout that segment is not something I would have thought was possible a few months ago, or at least not something that could be executed that well, so I’m really, really proud of how he handled that. (But like I said, he’ll probably say he had no idea what BU’s coxswain was doing so I’ll just pretend that what I said was his plan all along.)
As they come into 750m and he says “let’s walk up and pass, I’m on 2-seat, get me bow man…”, that’s a perfect way to call that and is another good example of what I mean by simplifying your calls. All you’ve gotta do is tell them where you are and where you wanna be and that’s it. The only thing I wish he would have done after that five was to tell them whether the move worked or not (by either saying “got the bow man” or “they held their margin” or something easy like that).
At 1000m I like the shift in his tone. I was getting a little worried initially when I listened to this that his usual fire during the body of the race wasn’t going to be there but it came out here and stuck for the rest of the race, which was good. All his calls through this section are great, especially the “now keep the attack” that he finished off with. I also, obviously, love the “that’s bow ballll” call. That 20 plus the small moves for each pair that he followed up with are, I’m convinced, what secured our position for the rest of the race. Couldn’t have asked for better execution here.
The “five for each pair” move is something we’d been working on throughout the season and it was getting to the point where I was so frustrated with it that I almost told him to just stop doing it because he could just not go from pair to pair without freaking monologuing between each one. It was driving me nuts. (You can hear this in the Sprints recording I think.) He did a great job calling it here though. I love the transition from stern pair into all four with the “establish dominance, 5 strokes for open” call. (400ish meters ago we were down two seats and now we’re going for open … can’t ask for much more than that.)
The ten for length at the 500 was kinda the only thing that I wasn’t super happy with, only because his calls didn’t match up with what he was asking for. Taking a ten for length there is a great idea and something we definitely needed but if you’re gonna call it for length your calls have to match that and his were a little all over the place. I liked his tone and everything, just not the words themselves.
When he made that “drop them” call at 5:31, this aggression was what I was waiting for and he brought it out at just the right time. The end of the race always makes me a little nervous because he’s not the most reliable at calling the finish – sometimes he nails it, other times he’s way off (ahem … Princeton) – but he did fine here. In any other situation casually calling the extra two like that probably wouldn’t have worked, especially if the race was close, but we were ahead by enough that it didn’t make a difference. We were in a position to advance by open water so whatever. Not something I’d recommend though – if you’re gonna call last five or last ten, make sure it’s actually the last five or last ten. Practice this whenever you do pieces so you can get used to gauging the distance between when you make the call and when you cross the line, that way there’s no question on race day that you’re calling the correct number of strokes to the line.
This coxswain sent me her audio a few weeks ago so below is part of my reply to her. This is one of the better recordings I’ve listened to from this past season so definitely check it out.
“Tone, volume, intensity, calls, etc. throughout the entire race were solid. I wouldn’t change a thing. You got a little repetitive with the “twist” call but I think you had a good enough variety otherwise that it doesn’t matter too much. In the future you might consider incorporating in some alternatives to “twist” (“rotate” is one that I use a lot), that way you’re still communicating the same thing just with a different word so as to not get too monotonous or repetitive.
Another thing is it seemed like you stuttered over the names of the crews a couple times when you were giving the girls your position – if you’re not 110% sure of who is in each lane then just say their lane number. When I race I only call the name of the top one or two crews that we consider our biggest competition and everyone else I just refer to by their lane #s, that way I don’t risk tripping myself up in the middle of a call if I can’t remember who is where. I feel like when you’re in a groove of coxing and then you stutter over something like a crew’s name it can throw off the momentum a bit (or at the very least knock you our of your zone) so that’s always something I try to avoid.”
At 2:56, I love how she called “No mercy one, no mercy two…“. The intensity is great (there’s nothing like a good “no mercy” call to really stick the knife in) but I like that she sandwiched them between counting out the ten. Making simple but occasionally deadly (for the other crews…) calls like this are a great way to get just a liiiiittle bit of extra punch on each stroke.
Other calls I liked:
“I just lit the fuse…”
“You don’t mess with us ’cause we’re the best…” (Cocky? Hell yes. A great call? Oh hell yes.)
I got an email about this recording a couple weeks ago asking my thoughts and it said: “Both my crew and coach love the coxing here, but the other cox at my club, who’s very experienced and has coxed the [redacted the very prominent team name] eight, doesn’t think the coxing is great – he reckoned they would have won regardless. I wondered what your take on it is?” This was my reply:
“Personally I do like this recording. I think the other one (the Abingdon – BH one) is better but this is still in the upper echelon of recordings that are out there. Something I’ve heard a lot of people say is that he was a little over the top and should’ve acted like he’d been there before, which I definitely see and agree with (to an extent). At this level I think having a coxswain like him can only add speed to your boat so regardless of whether they would have won or not, I don’t think that should really change how he’s coxing them. The only real thing that I didn’t like was he was a little repetitive for me, although I think that’s just a general difference in style between the UK and the US.”
Now, make no mistake, I love this recording. Our V8+ coxswain even borrowed some calls from it this season. The main thing I hear people have spirited discussions about is how over the top he gets and like I said, I get that and can see how it might annoy people but to me it’s not the kind of “over the top” that is offensive or asshole-ish. There are PLENTY of recordings I’ve posted on here where you can argue that the coxswain is being “over the top” during the race but sometimes that’s just part of coxing. As long as you’re not being unsportsmanlike, does it really matter how into it you are as long as you’re still steering straight and communicating clearly?
The takeaway for coxswains from this recording is the Beyonce levels of flawlessness in the execution of the race plan. They grab the lead right from the very beginning and just pile it on from there. The bladework at the start is excellent and the gradual build in volume he has as he’s calling “legs loose” really sets the tone early. You can tell they have a plan going into this because the moves and his calls just flow really well throughout the race. It doesn’t feel like anything he’s saying is being come up with on the spot, which is rare since you’re not usually in a position (at this level, let alone at this regatta) where you’re far enough ahead of the other crew(s) that you don’t have to worry about deviating from your race plan.
He makes a lot of rhythm calls (and announces them too…), in addition to encouraging the rhythm by the way he makes the calls so if that’s something you’re looking to work on definitely listen to this. There are lots of spots throughout the recording where he does this and they’re very easy to identify. (Plus, you should be able to pick this stuff out on your own anyways without someone else pointing it out to you.)
I like how he said “Take it all in, feed off of it…” as they’re coming through the spectator area at 6:56. This is a great call for those regattas where you can feel the energy from the spectators and you can hear them screaming as you approach them. Never underestimate the power of the crowd to give your crew an extra surge at the end. Bring that energy into the boat and make it work for you.
Last thing is that “end them now” call at 7:45. I love this but what really seals the deal is the finger point he does as he says it. I did this once and my coach told me it was the most demoralizing thing he’d ever seen a coxswain do to the rest of the field so I’ve always had an affinity for psychological fuckery like this. Wisco’s V8+ coxswain did this to our eight when we raced them back in May and when they came up to collect their shirts I told him in front of our coxswain how much I respect coxswains that have the balls to make moves like that. Luckily our cox knows me well enough to know that it wasn’t a dig against him so it was cool. Laughs were had later.
To me, stuff like this is the ultimate sign of confidence. Some people probably/definitely think it’s cocky and it absolutely is but it does waiver between being the good kind of cocky and “you look like a dick”. Being cocky is fine (and necessary) to an extent but at some point it crosses the line from being legit to being compensatory and it’s always obvious when you’re compensating for something (usually a lack of confidence more than anything else). No coxswain would ever do the “shut them the fuck down now” finger point if they weren’t 10000% sure that their crew was executing everything exactly the way it needed to be done and that their position in the race was unquestionably secure. This isn’t one of those things that you can do every race though. This is one of the ones that you do once, maybe twice in your career. The moment’s gotta be right otherwise you do just look like an asshole.
Other calls I liked:
“Legs loose…”, mainly the way he says it
“Stay relaxed as we hit the gust … stay loose … stay loose …”
“Keep moving in this rhythm, in your rhythm…”
“10 months, every erg, every session, together, for this one fucking moment…”
“Drop the knees…” Good alternative to most “legs” calls.
“200 remaining, ready … steady … go for the Temple win!“
You can find and listen to more recordings by checking out the “Coxswain Recordings” page.
Can you imagine racing in all that fog? Don’t get me wrong, I love rowing in the fog but damn … racing in it at the Olympics would not be ideal.
Related: Gold fever
This is a cool look back though with Steven Redgrave and a few other guys from that four. This was also Redgrave’s first of his five consecutive Olympic golds.
Hello! I finished my last race of the season yesterday and my coach and I were talking about what I can do to benefit the rowers more next season. She said that I need to have a couple of calls that come from my deep belly of coxing abilities, that the crews recognize as “shit gets done” calls. She gave the example of “hit the last nail into their coffin” and said that that was too extreme for my team, but that I needed something equivalent to that to finish out close races with. Do you have any favorites? or any good recordings I should listen to? thanks so much!!!
A call that I and most coxswains I know have used at least once in our careers is “stick the knife in” or “twist the knife”. It’s kind of along the same line as the coffin call you mentioned but they’re good calls that can be super effective when called at the right moment and in the right situation. I remember calling something similar with 100m or so left to go in a race once when we were even with another crew and by the time we got to our last few strokes we were up by just enough that “twist the knife” was the only thing I needed to say to get them across the line. One of my friends in college had this call where he’d say “light the fire” at the start of their sprint (instead of actually calling the sprint as a way to fake out other crews) and then with 15-20 strokes left he’d say “throw some gas on it” which would get them to bring the rate up another beat or two and just haul ass to the finish line. For situations like this though I think the best calls (and the ones your crew connects the best with) are the ones that come to you in the moment because then they don’t sound forced or scripted (which is how stuff like this can come off most of the time).
I do agree with your coach that it’s always good to have some calls in your back pocket that, when you use them, your crew knows it’s time to shift gears and get shit done. That doesn’t necessarily mean you’ve gotta come up with super special buzzwords or phrases though – sometimes just the way you say things will convey that message. I always love listening to coxswains, especially collegiate ones, say “NOW” when they want their crew to do something because even though it’s a really simple instruction, just the tone and raw power in their voice lets you know that they aren’t messing around.
I know I’ve pointed out calls I like for situations like this before (I’ve heard a lot of good calls so it’s tough to remember them all) so when you’ve got time definitely read through the recordings posts and listen to some of the recordings to hear how the calls actually sound. All of them can be found here.
Hi! So I’m going to youth nationals soon and the minimum weight is 110 lbs. I know that I’ll need weight, 8 or 9 lbs. What kind of weights are best to use and where can I get them? Thanks!
Go to Home Depot or Lowes and buy a bunch of sand. It’s weird that USRowing makes you provide your own weight but whatever. Weigh yourself and then fill up a plastic bag with sand with whatever the difference is between that and 110lbs. At Sprints, IRAs, etc. the coxswains would fill the bags, duct tape it into a nice solid block, and then write their names, schools, event, and weight on there. I’m not sure if USRowing requires you to do all that but I’d recommend it just because it’s easier to transport when it’s not flopping all over the place and if you misplace it it can easily be returned to you.
Also, just gonna take this opportunity to copy/paste this section from the 2015 Youth Nats entry packet. Coxswains, read and be aware of this.
“The weight of Coxswains shall be determined once each day during either the Weigh-in Window or Adjusted Weigh-in Window, but not both. In the event a Coxswain is weighed after the applicable Weigh-in Window or Adjusted Weigh-in Window but before the first Race in which the weight is relevant, the Coxswain may be subject to one of the penalties described in Rule 2- 602 (“Types of Penalties”); the presumed penalty for such infraction is a Warning. Failure to weigh-in at any point in time prior to the first Race in which the weight is relevant shall constitute a violation of Rule 4-105.1 (“Coxswain’s Weight”) and result in the Coxswain being deemed ineligible to race.
When an Adjusted Weigh-in Window is created due to a scheduling change, a Competitor may weigh-in during either the original Weigh-in Window or the Adjusted Weigh-in Window, but not both, provided the Competitor completes his or her weigh-in prior to the newly Scheduled Time of the Race and on the same day as the newly Scheduled Time of the Race.
“Adjusted Weigh-in Window”: Should Race Officials adjust or alter the racing schedule for compelling reasons, changing the amount of time between the Weigh-in Window and the newly Scheduled Time of the Race, an Adjusted Weigh-in Window shall be created. The Adjusted Weigh-in Window shall be no less than one (1) hour and not more than two (2) hours before the newly Scheduled Time of the Race.
An “Adjusted Weigh-in Window” is only created if an adjusted schedule is officially posted or published by USRowing. Commonly occurring delays throughout the day are not considered an official adjustment to the schedule.
Coxswains who do not comply with the minimum weight standard must provide their own materials to create deadweight in accordance with the USRowing Rules of Rowing. This weight must be placed in the boat as close to the torso of the coxswain as possible, and is specifically forbidden to be distributed throughout the boat. At any time, before or immediately after the race, the Referee, another Race Official, or a member of the Control Commission may require the weight of the deadweight to be checked.”
JUNE 2016 EDIT: New favorite solution – scuba weights. They’re small, easy to carry (and travel with), and there’s no mess. We bought some before IRAs and they worked great.
This is an email I sent over the weekend to our varsity coxswain who will be driving the four we’re taking to IRAs this weekend. As I’ve said in the past, being in the launch every day has its perks and while it may be boring at times it can be a useful tool once the end of the season rolls around. I tend to take a lot of notes when we’re out, either in a notebook or on my phone, and it’s nice to be able to pull them out now and get a few ideas for calls or new things to say that we haven’t talked about in awhile. Even though you could take a lot of what I said down below into the boat with you verbatim, there’s really only a few explicitly laid out calls in here. There’s a lot to be inferred though so coming up with calls on your own shouldn’t be hard.
“Here’s some of my notes on the guys from the last few months. The whole not being able to see them thing means you’ve gotta rely on what you know they have a tendency to do and these are their tendencies. Incorporate these into your calls this week (throughout the entire practice, not just the 500s and 250s we’ll be doing) so you can pull them out on Fri/Sat/Sun without having to think about it.
No wind up
No up and down movement with the shoulders at the catch – lock the blade in then hang on it (“suspend send” for three is a good call here…don’t say “for the next three” or anything, just call it…)
Keep the hands moving out of the finish – he’s got to be a metronome if he’s gonna stroke this four and it’s on you to not let up for a single stroke if you see the rate fall off.
Release clean, feel the boat send away followed by smooth, relaxed hands out of the finish
Lean into the rigger
Keep the shoulders low
Patient with hands out of the finish
Don’t lunge at the catch
Hold the finishes, has a tendency to wash out at higher rates/pressures
Sit up/posture in general, particularly through the back end
Stay loose in the shoulders (tends to get tense when told to sit up)
Don’t get grabby at the catch
Back it in, don’t miss water at the catch
Hands down and away – specifically say “[his name]” when you make this call so he knows you’re talking to him
Stay connected with the feet at the finish
Hold the finishes in
Don’t cut off the lay back, get all the swing through the finish – especially important since he’s in bow now
Suspend the weight, feet light on the stretchers
Accelerate with the hips
No lift out of the catch
Find speed through the legs
Smooth turnaround at the finish, keep the hands and seat moving (important for [STROKE], he adds the tiniest pause over the knees and that’s where [THREE] + [TWO] get ahead of him)
Build together through the water, don’t force it via rushing the hands out of bow ([THREE] + [TWO] in particular but applies to the whole boat)
Stay relaxed and long
During the “10 to relax” after the start, focus on actually getting them to relax and swing rather than just calling another 10. You shouldn’t need to count this out, instead remind them that every stroke needs to be relaxed but intentional, free of tension, etc. and then make repetitive swing-related calls for several strokes as you begin to establish your rhythm. Keep your voice calm but focused here.
Third 500 – the focus has to re-shift back to their form as fatigue sets in. Catches sharp, posture tall, cores solid, chins up, hanging on the handle, sequencing, mind over matter, etc. – all of it has to be on point. Every single thing you say, more so in this 500 than any other 500 during the race, has to have a purpose otherwise all you’re doing is taking speed away instead of adding it.
During the last 500 when you build for the sprint you have to be unrelenting when it comes to those rates. I know we’ve talked about not getting picky when it falls off by a beat but during the sprint that can’t happen. As the rate goes up remind them to sustain their rhythm and speed by picking it up together and staying light on the seats. As [THREE] said, the organization during this chunk needs to be better. There can’t be any second-guessing, tripping over your calls, periods of silence, etc. especially if you’re tight with another crew.
Be prepared. Eliminate all distractions. Be relentless. That’s your only job this week.”
