An aggregate resource for all those riding in the 9th seat
Racing Rowing Video of the Week
This is a must-see documentary on the USA men’s team training for the 2000 Sydney Olympics. It’s 90 minutes long and well worth the time spent watching it.
Related: Interview with 2004 M8+ gold medalist coxswain Pete Cipollone
In addition to all the Teti-isms and solid life/rowing lessons, there’s a lot of good audio clips of the coxswains from inside the boats so you should be able to get a couple good calls out of this to use in your boat or pass along to your coxswains.
College Coxing Racing Recordings Rowing
As most of you know I got to coach at the coxswain camp that Sparks hosted in Tampa the week after Christmas. One of the other coaches was Katelin Snyder, current coxswain of the USA women’s eight, and she graciously offered to send me a bunch of her recordings to put on the blog. I’ve been obsessing over these things for the last week so I’m really excited to finally share some of them with you guys. The three I’m posting today are all in a playlist on my YouTube channel that I’ll keep updated as I share more of her audio in future posts.
This is from Katelin’s junior year at UW, her second year in a row coxing the varsity eight.
Right off the bat you can hear how she calls the start isn’t like how a lot of coxswains call it. There’s some punch behind her words but for the most part she’s very calm and relaxed. One of the big concepts that we’ve talked about with coxswains at the Sparks camps is not losing your shit at the start of the race and instead remaining composed and keeping your focus on steering straight through the first five or so strokes. This is a perfect example of what that should sound like.
At 0:45, I really like how she called their stride – “we’re striding in three strokes, increasing boat speed in two…”. She says what she wants (stride) followed up with an objective (increasing boat speed), and says it all as succinctly as possible.
When calling something like a minute move like she did at 1:17, it’s easy to think that in 60 seconds you can take a handful of seats on the other boat(s) but I like that she kept it simple here by going after just one seat and calling out the guy in her boat whose seat they were targeting (and then told him when they’d got it).
In between her calling “inches” you can hear her stroke say “length!” at 4:13, which she immediately follows up with on the next call by calling for more length through the water. That’s a fairly common question that I get, how to communicate with your stroke during the race and this is a good example of how simple it really is.
OK, so for some context watch this video of the race that was taken from the launch. Turn your volume up too and prepare yourself for the single greatest move that I think I’ve ever seen at 1:41. (TBH I’m kind of excited to hear from inside the boat how this move played out because we saw Washington do something similar several times at IRAs last year, including when they were in our race in the V4+, so … it’s nice having some insider knowledge now of how they do it.)
I really like the “lengthen and increase boat speed” call she makes out of the start at 0:40 as a reminder to not let the power fall off as the stroke rate starts to ease out into their base pace. Also saying “hold the knees” instead of something related to the slides is a good alternative; it’s a more active call than just “slow the slides” or whatever we normally say.
I like that they take their move at 650m in. Calling moves at the 500m, 1000m, etc. is fine but these moves taken at relatively unconventional spots are what gets your bow ball in front. Starting at 1:52, I’m obsessed with this chunk of calls, particularly the “get outta here!” one. I’ve looped it so many times because even without watching the video, I can feel California’s souls getting crushed and as a coxswain there are few better feelings than seeing that moment when the other crew realizes they’re about to get dropped. After you make a successful move on another crew, the next thing you have to do is watch them for the counter attack because it will happen and you don’t want to be caught off guard when it does. I like how she stays calm at 2:25 and reminds them to defend it by completing the strokes (nothing fancy, just relying on flawless execution of the basics) before calling that ten at the thousand to “end it”.
Lengthening out at 1250m is a really solid strategic move. It’s not necessarily a move to gain anything, rather it’s an internal move to get the bodies ready for the last 500m. By 1250m – the middle of the third 500 – this is probably the peak of pain before the rowers catch that second wind leading up to the sprint. Reminding them to breathe, stay long, etc. eliminates any tension that could otherwise shorten the strokes and decrease the boat speed.
At 3:55 you can hear the stroke say “They’re going!”, which is Reason #875 why stroke-coxswain communication is important. If you’re far enough ahead that you don’t have a clear view of the other boat in your peripheral vision, you’ll need to rely on your stroke seat to alert you to when the other boat starts to move on you.
This is my favorite of these three recordings. Note how, similarly to the other two recordings, she has a very focused calm in her voice during the start. It isn’t until about 60 seconds into the race where her coxing voice really comes out.
At 4:48 when they’re approaching 750m she makes this call: “…5 more and we lengthen back out. I wanna do it by sending … now send through the back end.” Similarly to the “lengthen and increase boat speed” calls, I like this one because the objectives are clear and she’s calling for them to do it by calling on her knowledge of the stroke and by emphasizing their swing and acceleration (which if that’s something you know your crew does really well, you should incorporate that into calls like this and work the rhythm that comes from it). I also love how her voice is pretty chill at the start of this and then there’s that kick in her voice when she says “fuck yea” – the excitement there is motivating in itself but the contrast in her tone would for sure make me drop a split or two if I were rowing.
Similarly to the lengthen move at 1250m in the previous recording, I like this “breathe for 5” move that they take at 6:45 coming into the last 500m. This has always been one that I do too with my crews just as another way to get them to stay fluid and loose and refocus before we make the final push to the line. The thing to remember with calls like this (that Katelin does really well) is you have to match your tone to the intensity of your call – a call like this can’t be said in the same tone as the “we’re gonna send a fucking message to Canada” call.
Side note, one of the many amusing stories that the guys told me last year about our V8+ coxswain was how during a race he was trying to get the crew to relax and because he was getting progressively more frustrated with how the boat felt, eventually he yelled “JUST. FUCKING. RELAX!!!” which obviously accomplished absolutely nothing. Don’t do that. If you’re gonna make a call that falls under the “relax” umbrella, your tone has to be a little more subdued that it is during the more intense parts of the race.
One last thing I want to point out is the swearing, which I’ve talked about on here a few times (most recently in this post). These recordings are some more good examples of how to swear and how to make it work without sounding like a try-hard. If you’re a junior coxswain and even less so as a collegiate coxswain, very few people are ever going to actually care that you said “fuck” during a race if you use it to punctuate your calls like she does. It’s when it gets gratuitous that coaches get annoyed because it’s just unnecessary and can be borderline unsportsmanlike.
Other calls I liked:
“Hold your momentum…”
“Third 500 is crushing … base … speed!”
“We’re gonna send a fucking message to Canada!”
You can find and listen to more recordings by checking out the “Coxswain Recordings” page.
Previously: Rush(ing) || Body angle || Pick drill || Suspension || Skying the blade || Quarter feather || Pin || Run || Lunge || Washing Out || Missing water || Footboard
The recovery, primarily the second half.
“When a crew is on the drive, they’re moving the boat FORWARD. As soon as they tap down, get the hands away, and start coming up the slide, the momentum of the boat shifts. This is completely natural. The rowers are now moving in the OPPOSITE direction of the shell’s momentum, which is still going forward.
The reason the ratio of the stroke is 2:1 is because in order for the boat to continue moving forward at the same speed, the disruption in momentum by the rowers has to be minimal. It’s going to happen, but you want it to be as unnoticeable as possible. If the rowers get to the catch and fly up the slide (eliminating the ratio), it’s comparable to driving at 60mph and then SLAMMING on the brakes…then hitting the gas to get to 60mph again…then SLAMMING on the brakes. When you hit the brakes in your car, what happens to your body? You jerk forward towards the steering wheel, right? In the shell, you’re the steering wheel. When the rowers hit the brakes and then rush up the slide, the boat jerks towards you. If you watch slow-motion video (and on rare cases, live video) you can visibly see the boat STOP and then start again with every stroke. Just like starting and stopping wastes gas in your car, it does the same thing in the boat. Your rowers are WASTING their energy because on every drive they’ve basically got to kick start the boat again.”
Related: Top 20 terms coxswains should know: Rush(ing)
Other things that can cause check in the boat include overreaching at the catch (dropping the shoulders down into the catch pushes the stern of the boat down which in turn slows the run of the boat – it’s like dragging your foot on the ground while skateboarding), not keeping your body stable on the seat during the recovery (this will also mess with the set of the boat which only slows the boat down further), and not getting the bodies set before the wheels move (throwing your upper body weight forward at the last second does the opposite of minimizing the disruption in the shell’s momentum).
Outside of the general calls to lengthen out the slides, control/emphasize/exaggerate the recovery, ratio shifts are the go-to call I make when I feel the boat’s momentum starting to shift.
That is step one. Sometimes that’s all it takes to fix the problem but other times it’ll persist which means I’ll work through the stroke from the finish to the catch and make calls that hit each of the four components (finish timing, hands away, body swing, and slides) in order to smooth out the recovery and re-establish the boat’s run. (How much time I spend on this is dependent on whether or not we’re doing steady state (more time) or sprint pieces (less time) but if you’re communicating clearly with the crew then you should easily be able to parse down your calls from longer explanations of what you want (like what you’d make during steady state) to short 3-5 word calls without losing any of the meaning.)
Step two is starting at the back end of the stroke and getting the finish timing together. Calls to accelerate and hold the blades in the water (“squeeze” is my go-to here) are what I’ll start with before moving on to getting the hands to match the boat speed immediately out of the finish. From there it’s about watching the shoulders of the (wo)man in front of you, swinging from the hips, and establishing your body position before the wheels move. Once the slide starts, it’s all about maintaining a controlled float into the catch and locking on to stern pair’s rhythm.
It’s less about what you see and more about what you feel (see the post linked below on boat feel for more on that). As I mentioned before, it’s like being in a car that’s hitting the brakes then hitting the gas then hitting the brakes again … your body’s response to that is to jerk back and forth (sometimes more violently than others, depending on how bad it is), which almost always causes a line of bruises across your low back from where you hit the back of the coxswain’s seat.
Related: Coxswain skills: Boat feel
If you also notice that your body is particularly tense – like you’re bracing yourself pretty aggressively in the boat to avoid getting thrown around – that’s another sign that you should shift your focus to what’s going on with the slides. The latter is one of the things I try to pay attention to a lot because it’s something I unconsciously do but because I try to make a lot of “keep the shoulders loose”, “stay relaxed with the upper bodies”, etc. type of calls (and shake out my own shoulders as I make them), it makes me spend a quick second checking what my own body is doing. From there if I recognize that my legs, core, and shoulders are really tense, I most likely need to pay attention to the slides and run for a stroke or two to see if a ratio shift or other check-related call is necessary.
Communication with your stroke seat is also important because sometimes they can feel things that are there but at that stage are too subtle for us to notice. I always talk with my stroke between pieces and ask how that piece felt, was there anything happening with the slides that you felt that I didn’t notice, etc. and if they say “yea, when we shifted from the 26 to the 30 I was getting pushed up the slide a bit” then I know to tune in a bit more to the recovery speeds after we make a shift in the rates on the next piece.
The thing with check, rush, ratio, etc. is that we tend to only notice it when it’s bad enough to be noticed … so on a scale from 1-10, we probably only feel it ourselves when it’s at a 5 or higher (depending on your level of experience – less experienced coxswains might not pick up on it until it’s at an 8 or 9 and they’re getting whipped around like a rag doll). This is why I talk to my stroke seat a lot because I know that the rowers are going to feel it when it’s at a 1-5 and having them point out to me that it’s there, even if it’s subtle, gets me to tune into it so I can make the calls early enough that it prevents it from getting worse.
If you’re riding in the launch, pick a rower and watch their body in relation to something stationary on land, like a tree or something. You’ll be able to see the boat running under them while their body stays “fixed” (as discussed in the post linked below). Assuming the ratio is on point and there’s no check occurring you should see minimal movement of the boat/rowers back towards the coxswain at the catch. If the boat is getting checked down for whatever reason (99.9% of the time because of rush) then you’ll see the rowers move in front of whatever object you’re pairing them with on land.
Check = loss of speed because … physics.
To see all the posts in this series, check out the “top 20 terms” tag.
If I am 5’4 and 148 lbs what should my 2k be at? My new 2k is 7:40 (I know it’s awful). Had to take a little break because I had an injury to my one knee. Is this good? What should I bring it down to? My goal is 7:20 before spring season comes around. What would be a good 2k plan? I have 2k sprints coming up and I want to do really well. Thank you! I really love your website so much! I always read it on my free time! 🙂
I’m assuming you’re a girl and in high school, in which case 7:40 is most definitely not an awful 2k time. I can’t tell you what your 2k should be because it’s dependent on a variety of things so if you want specific advice in that area, talk to your coach and see what they say.
Related: How to prepare for a 2k test
Dropping 20 seconds in a month and a half seems pretty ambitious unless you’re a novice and still in that honeymoon period where you’re dropping 30 seconds on every test or if this is the first test you’ve done since last spring (in which dropping a chunk of time wouldn’t be too unreasonable but 20 seconds still seems a bit out there). If 7:40 is your most recent one then I’d probably shoot for something like 7:35-7:37, depending on how you feel.
Related: 2k test strategy
As far as a race plan goes, check out the post linked above, as well as this Instagram I posted last year of one of our freshman’s race plans. Obviously the splits would be different but it’s another example of how you could lay out your race.
Previously: Rush(ing) || Body angle || Pick drill || Suspension || Skying the blade || Quarter feather || Pin || Run || Lunge || Washing Out || Missing water
The footboard itself obviously isn’t part of the stroke but it plays an important role on the recovery, at the catch, and at the finish.
The footboard, also known as the foot stretchers or just “stretchers”, is generally considered to fall under the “rigging” umbrella since it’s an adjustable part of the shell’s structure. (You can read more on its relation to rigging in the posts I’ve linked down below.)
The calls you make here aren’t going to be strictly about the footboard, rather they’re going to be with how the body interacts with it at certain points throughout the stroke.
Recovery: “Stay light on the feet”, “No weight on the legs/stretchers on the way up…”, etc.
Second half of the recovery: “Transfer the weight to the toes…”
Catch/drive: “Stomp…”, “Legs…“, “Kick…”, “Drive…“, “Push…”, etc.
Finish: “Maintain connection through the feet…”
As the coxswain, the things you notice about the footboard are most likely going to come in the form of something being off with the rower’s catch and finish angles. If they’re too sharp or too shallow then you’ll want to ask them if they’re getting to full compression (or if they’re over-compressing if the angle is particularly sharp) and then have them make an adjustment towards the bow or stern as necessary from there. Same goes for if/when you hear a lot of banging with the slides at the catch or finish.
In the 13 years I’ve been coxing I think I’ve only seen my coaches change the angle of the foot stretchers maybe two or three times, all to accommodate rowers who had very poor flexibility. It’s not something you’ll encounter that often but when you do it’s good to have a general idea of where they should be and how each positioning can effect the rower’s stroke. The general range is 38-42 degrees, with a shallower angle allowing the rower to have better compression and a steeper angle allowing you to drive with more force (although you’ll be sacrificing some of your length since you won’t be able to get to full compression as easily). If you have the chance to watch or help your coach rig the boats, talk to them about the placement of the stretchers and the angle at which they’re set.
From a rigging perspective, if the footboard’s angle is too steep or too shallow then the angles of your catch and finish will be impacted. You might also need to move them towards either the stern or bow of the boat if you find yourself hitting the front stops (move to bow) or the back stops (move to stern).
From a rowing perspective, if you’re losing connection with the stretchers at the finish or not transferring your weight properly at the front end then you’ll be limiting the power of your stroke.
An Introduction to Rigging, pt. 4: Rigger Height and Work Through
Adjusting your foot stretchers
“How to set your footboards…” via USRowing
To see all the posts in this series, check out the “top 20 terms” tag.
Previously: Rush(ing) || Body angle || Pick drill || Suspension || Skying the blade || Quarter feather || Pin || Run || Lunge || Washing Out
The catch.
Missing water (also known as “rowing it in”) is what happens when your blade isn’t in the water at the end of the recovery/top of the catch. What happens instead is you start with the blade in the air and place it in the water as you start the leg drive. Moving backwards on the slides without your blade in the water causes you to have a shorter and less powerful stroke as a result of missing out on the power generated by your legs in the first few inches of the drive.
“Get the blade wet before you start the leg drive…”
“Direct to the water…”
“Bodies set early, hands up at the catch…”
“Back it in…”, “Get that V-splash…” I use both of these a lot, particularly when we’re rowing in good water and there’s no excuses for sloppy handle heights or indirect catches.
“Hook, send…” is another call I make a lot because it gives a visual reference for what the catch should look like (think of a fish hook) – smooth and continuous. Usually the second half of the call will reference whatever else we’ve been working on during practice – for example, last week when I was coxing our eight in Florida I said “hook, send” and “hook, squeeze” a lot since we’d been working on both maximizing the run of the boat and completing the strokes during our drill sessions.
Front splash at the catch is the most obvious sign from the coxswain’s seat that someone is missing water at the catch. Ideally at the catch you should see some V-splash, which means there’s water moving in both directions (with just slightly more moving towards the bow than the stern) but at the very least you should be seeing some backsplash. Seeing neither is an indication that the rower isn’t getting their blade in before they start the drive.
Another thing to watch for is blade height throughout the recovery. If you see someone start skying their blade as they come into the front end then they’re almost certainly going to miss water at the start of the stroke.
Related: Top 20 terms coxswains should know: Skying the blade
Like just about everything else, the biggest effect on the boat will be in the form of balance. If someone (or one side) is rowing it in at the catch then the boat won’t be able to immediately stabilize, resulting in it falling over to whichever side is missing water.
Can you explain the term “rowing it in”?
To see all the posts in this series, check out the “top 20 terms” tag.
Previously: Rush(ing) || Body angle || Pick drill || Suspension || Skying the blade || Quarter feather || Pin || Run || Lunge
The finish.
Washing out happens when instead of drawing through horizontally at the finish, you instead pull/feather down into the lap (which in itself can also be a result of a loss of suspension). This results in the blade popping out of the water as you finish the stroke with the arms.
Related: Top 20 terms coxswains should know: Suspension
A lot of these are fresh in my head because when I was coxing in Cocoa Beach, I found myself making a lot of calls for holding the blades in (which we’d been working on), supporting your side, etc. We did some short pieces and there were occasionally stretches where the set was pretty awful but as soon as I’d make one (or several) of these calls, the boat would balance right up and we’d start getting some good run again. About 90% of the time we were down to port so the first call I’d always make would be for the ports to lift the hands and then if that didn’t change anything I’d call for starboards to lower theirs. From there I’d get more specific based on what I was seeing/feeling.
“Support your side…”
“Engage the lats, draw the handle through to your target…”
“Suspend through…”
“Hold the finishes…”
“Elbows up at the finish…”, “Consistency with the hands…”
“Hook, squeeze…” The relevant part of this call is the “squeeze”, which is supposed to remind the rowers to accelerate the blade and keep it buried all the way through to the finish.
Understanding suspension so you can communicate the relationship between a loss of suspension and washing out is also important. The key to speed in any boat is hanging on the handle and maintaining that suspension all the way through to the end of the stroke. The blade stays locked into the water until suspension is no longer being maintained and that moment when pressure is cut off is when the handle is able to come down and away smoothly. Every part of the stroke has to flow dynamically into the next without letting the body weight settle on to the seat. When making calls for washing out, make sure you’re not just reminding the rowers to pull into their targets but to also hang off the handle and stay light on the seats.
If you notice this happening early on in practice or when you’re doing long-and-low steady state, start by telling the rowers to look out at their blades and follow its path through the water to ensure it’s staying buried all the way through the finish. Have them do this for 3-5 strokes and then call them back to eyes forward. It’s easy to get transfixed by the blade and start going through the motions so let them watch them for a few strokes before getting the crew refocused.
White water at the finish is a tell-tale sign of someone washing out. As a result of the blade coming out feathered or at an angle rather than fully squared, the extra effort being exerted during the draw through throws water backwards (towards the coxswain) rather than propelling the boat forward (towards bow) and creates that distinctive “whoosh”-ing sound.
From the coxswain’s seat it can be tough to see this but if you’re in the launch, look at the elbow and wrist position at the finish. The outside elbow should be up and out and the outside wrist should be flat, essentially acting as an extension of the oar handle. If the lats are engaged and you’re drawing straight through to your low ribs then this positioning of the arms should happen naturally. Having the elbows too close to the body, feathering down into your lap, elbows pointed down towards the back of your seat, etc. will all result in washing out.
The most obvious effect is that it causes problems with the set. If you’re on port then the boat is going to fall towards your side on the drive and then dump to starboard on the recovery (which, to say the least, is super annoying). The lack of connection and suspension that leads to washing out also leads to a loss of power, thus making each stroke less efficient and the boat to experience less run per stroke.
To see all the posts in this series, check out the “top 20 terms” tag.
Previously: Rush(ing) || Body angle || Pick drill || Suspension || Skying the blade || Quarter feather || Pin || Run
Lunging can occur at any point after bodies over but the point in the stroke where it’s the most prevalent is at the catch.
Lunging is another way of saying over-reaching, diving, or falling into the catch. When you go to the bodies over position, ideally you should be pivoting from your hips. Your range of motion is limited by your hamstring, knee, and hip flexibility so some people are able to pivot more than others but for those who aren’t super flexible, they try to compensate for that by bending forwards from their low backs to get their bodies over and attain some amount of reach. For those who are able to pivot forward without issue, they tend to think that more is better so they fall forward at the last second to get a few extra inches of reach when in reality they’re just derailing the boat speed.
One of the most consistent things I say to the crew in this situation is to remind them to set the bodies early and that all their body prep should be completed before the wheels start rolling. Any additional reach after that is lunging and it’s not only ineffective but it’s also detrimental to the speed of the boat. Noting the fact that they’re actively slowing the boat down rather than maintaining or building speed usually gets their attention if nothing else does.
I try to avoid saying “you’re lunging” or “let’s make sure we’re not overextending ourselves at the catch” too much because I think that draws attention to the problem (which could end up exacerbating it) rather than directing them to a solution, which is what those reminder calls attempt to accomplish. Sometimes it’s necessary to say those things (i.e. if it’s a consistent problem that isn’t being fixed) but I usually try to save this as a last resort. It’s also really easy to just say “you’re lunging” and think that’s going to fix the problem (and with more experienced crews that might be all you need to say…) but you still need to know what’s causing them to lunge in the first place so you can communicate the adjustments you want them to make. When I hear coxswains make simple calls like that over and over again and the problem still persists then I know that you have no idea what causes lunging or what you need to say to have the rowers make the necessary adjustments.
Pausing at 3/4 slide is a good drill to work on this because it limits the amount of momentum going into the catch and forces you to just drift up and quickly place the blade in the water. If you recognize that lunging is an issue with your crew and your coach says to do some pause drills during your warmup or to throw in a pause during a piece, 3/4 slide pauses can help you kill two birds with one stone.
I look for three things all happening at the same time, or at the very least on a consistent basis within a couple strokes of each other. They are: skying the blade at the catch, an increase in the speed of their blade moving back towards bow when the rowers are moving through the top quarter of their slides, and the feeling of check in the boat. Individually those three things are separate issues with their own causes and effects but when they’re happening in rapid succession it usually means someone (or several someones) is lunging.
The biggest effect that lunging has on the boat is in the amount of check it causes. Because you’re throwing your upper bodies forward and downwards so suddenly (and drastically), you’re generating a lot of momentum that is hard to counteract. Not only does this slow the boat down and create a lot of check but it also results in slower catches (mostly because you end up skying as a result of your shoulders and hands falling down towards your feet). It can also really screw up your back, not just because you’re swinging forward improperly but also because it can also cause you to shoot your tail on the resulting drive.
To see all the posts in this series, check out the “top 20 terms” tag.
Previously: Rush(ing) || Body angle || Pick drill || Suspension || Skying the blade || Quarter feather || Pin
The recovery.
Run refers to the distance the boat travels between strokes.
The majority of the calls you’ll make are interchangeable with most ratio calls since minimizing check and disturbances to the boat’s run have a lot to do with how controlled the recovery is.
“Row long through the water, let the boat run at the finish…”
“Steady speed into the catch…”
“Roll the wheels at a constant speed…”
Calls for the finish can also be used to set up the run, such as “send” (the most ubiquitous finish call in existence), “long”, “chaaa”, etc.
The thing with run is that there’s not that many specific calls for it but there are a lot of calls for other parts of the stroke (specifically the finish, swing, body angle, and the slides) that pull double-duty and apply to it in addition to whatever their primary meaning is.
One of the best/easiest ways for a coxswain to tell how much run you’re getting is to watch your 2-seat’s puddles. If the boat is running well then their puddle should pass your stroke seat before they (stroke) take their next stroke. Also, during steady state rows the bow pair’s puddles should be clearing the stern by at least a seat or two – this applies to most experienced crews but for younger crews, they puddles should at least be able to make it to the coxswain.
Another thing you can look for (that isn’t always easy to see unless you’re in the launch) is where the boat is sitting in the water. If the boat feels heavy and the shell is sitting low (rather than rising up slightly) then the run isn’t being maximized.
If you’re able to achieve good run (which is in effect a product of how well executed the transfer of weight from the bow to stern during the recovery was) then the ultimate effect on the boat will be that you’re able to travel farther with less wasted effort.
To see all the posts in this series, check out the “top 20 terms” tag.
Previously: Rush(ing) || Body angle || Pick drill || Suspension || Skying the blade || Quarter feather
This week’s term is one of two that aren’t specifically part of the rowing stroke – it’s actually part of the rigging. In relation to the stroke though, the first half of it (push + hang) occurs in front of the pin and the second half (the draw through) occurs behind the pin.
In physics terms, the pin is the fulcrum for the oar, which is the lever. It’s hidden when the oarlock is on so you can’t see it but it’s the vertical axle that the oarlock rotates around and is also where pressure is applied throughout the stroke. In order for the stroke to be effective, lateral pressure must be applied against the pin in the direction that the blade is moving (not the legs).
“Maintain pressure against the pin…”, “hold your weight against the pin…”
“Rotate around the pin…” This is mostly in relation to achieving the proper length and body angle. Reminding the rowers to reach out over the knees and rotate the torso around the pin (while leaning into the rigger) helps emphasize keeping the chest up and not dropping the outside shoulder.
The pin is one potential spot of connection in the boat so if you lose connection there then you lose efficiency in your stroke. More so with novices than with experienced crews, you’ll want to keep an eye on the oars to ensure they’re flush with the oarlocks at all points during the stroke (see the first link down below).
You can also draw attention to the pin during drills like the pair add-in drill where the shell is gradually getting lighter and picking up speed as each pair comes in. The load is going to be a lot heavier when there’s two people moving the shell vs. eight people so keeping pressure against the pin while cleanly accelerating the blade through the water should be the focus of your technical calls.
In a rigging sense the pin plays a big part in determining the pitch, spread, span, oarlock height, and work through (all discussed in the intro to rigging posts linked down below). As far as the actual stroke goes, the key thing to remember is that pressure against the pin + acceleration is what allows rowers to effectively move the load.
To see all the posts in this series, check out the “top 20 terms” tag.